# Indian.Temples

> Research & Media Services


## Posts

- [Chennakeshava Temple -  A Timeless Symbol of Hoysala Craftsmanship and Indian Spirituality](https://indiantempless.in/2025/12/16/chennakeshava-temple-a-timeless-symbol-of-hoysala-craftsmanship-and-indian-spirituality/): Introduction The Chennakeshava Temple, also known as Keshava, Kesava, or Vijayanarayana Temple of Belur, is a remarkable 12th-century Hindu temple in Belur, in the Hassan district of Karnataka, India. It is dedicated to Lord Vishnu in his attractive form of Chennakesava (meaning “handsome Kesava”). The temple stands as one of the finest works of the Hoysala Empire. King Vishnuvardhana commissioned it in 1117 CE, and it was built on the banks of the Yagachi River when Belur was a significant early capital of the Hoysalas. The temple took 103 years to finish and developed under the support of several generations […]
- [A Comparative Study of Narasimha Iconography across Ancient and Medieval Indian Temples](https://indiantempless.in/2025/12/16/a-comparative-study-of-narasimha-iconography-across-ancient-and-medieval-indian-temples/): Introduction Narasimha stands as the fourth and perhaps most visually arresting avatāra of Lord Vishnu. Manifesting during the Satya Yuga, this incarnation was a specific divine response to the boon of invincibility granted to the demon king, Hiraṇyakaśipu. The demon had secured a guarantee that he could not be slain by man or beast, by day or night, inside or outside a residence, nor by any weapon known to creation. Consequently, Lord Vishnu assumed a form that defied all standard categories of existence: a liminal being who was neither fully human nor fully animal, appearing at sandhyā (twilight—neither day nor […]
- [The Heritage Diary : December 2025](https://indiantempless.in/2025/12/09/the-heritage-diary-december-2025/)
- [Bhagavad Gita for Everyday Life: From Battlefield to Breakfast Table](https://indiantempless.in/2025/12/04/bhagavad-gita-for-everyday-life-from-battlefield-to-breakfast-table/): Introduction We usually meet the Bhagavad Gita on a battlefield: Arjuna’s chariot stands between two armies, conch shells are blowing, and a warrior collapses in doubt. At first glance, it looks like a text about war. But the more we sit with it, the more we realise: Kurukshetra is not only a physical battlefield – it is the landscape of our mind. Everyday life today is its own Kurukshetra: deadlines, family duties, health concerns, social media noise, and the quiet ache of “Am I really living my purpose?” The Gita steps into this chaos not as an abstract philosophy, but […]
- [Khardaha as Gupt-Vrindavan – The History of Shyamsundar Jiu Mandir](https://indiantempless.in/2025/11/21/khardaha-as-gupt-vrindavan-the-history-of-shyamsundar-jiu-mandir/): Sri Ramakrishna Paramhans stated Khardaha as Gupt-Vrindavan and quoted “Kalighat er Kali, Dakshineswar er Bhobhotarini ar khardaha r Shyamshundar jibanto” Introduction The earliest nomenclature of Khardaha is found as Khardwip (meaning island of straw). The history of Khardaha predates to 14th century. However, the region had its first municipality in 1869, thereafter in 1877 South Barrackpore and West Barrackpore municipalities were established of which Khardaha was a part. In 1920 South Barrackpore was renamed as Khardaha municipality. It is the place where Sri Rabindranath Tagore came by his Padma boat and stayed for 54 days in Shivali apartment. During his […]
- [Madhur Sri Madanantheshwara Siddhi Vinayaka Temple,Kasaragod Kerala](https://indiantempless.in/2025/11/15/madhur-sri-madanantheshwara-siddhi-vinayaka-templekasaragod-kerala/): Madhur Sree Madanantheshwara-Siddhivinayaka Temple is a renowned temple dedicated to Lord Shiva and Lord Ganapathi, located approximately 7 km from Kasaragod town, along the banks of the Mogral River, also known locally as Madhuvahini. Although Lord Shiva, referred to as Madanantheshwara (the destroyer of Kama, the god of desire), is the main deity of the temple, greater prominence is given to Lord Ganapathi, whose idol is positioned facing south in the main sanctum. The temple’s priests belong to the Shivalli Brahmin community.The temple was built by the Mypadi rulers of Kumbla in the 10th century and was renovated later to […]
- [A study of sallekhana practice from the death memorials of Karntaka](https://indiantempless.in/2025/10/25/a-study-of-sallekhana-practice-from-the-death-memorials-of-karntaka/): Introduction The fundamental principle of Jainism is that entire universe is made up of 6 substances, out of which ‘jiva’ and ‘ajiva’ are important to understand. Jiva or the soul is the living entity while ajiva is non-living matter of the universe. This philosophical or spiritual soul in Jain philosophy attracts all sorts of karmic matters which either liberates the soul or become the cause of its destruction. Therefore, the main goal among Jains is the human endeavor for liberation from karmas, the emotions, passions, and all sorts of boundations. So, for this purpose, various practices have been followed for […]
- [Dharmapuri’s Kedareshwar Temple - A Testament to Kalyani Chalukya Sculptural Aesthetics](https://indiantempless.in/2025/10/15/dharmapuris-kedareshwar-temple-a-testament-to-kalyani-chalukya-sculptural-aesthetics/): The Marathwada region, the central part of Maharashtra, is known to travelers for the Magnificent Ellora caves. Beyond the Ellora caves, some know about the Ghrishneshwar temple, one of the 12 Jyotirlingas. Some history lovers may know the region for the Satvahana era marketplace of Tagarnagar, known as Ter today. But beyond these popular tourist destinations, there are many amazing archaeological masterpieces and temples in the region. The area was ruled by the western clan of Chalukyas, also popularly known as Kalyani Chalukyas, between 10th to 12th centuries. The Kalyani Chalukyas, ruling from their capital Basavakalyan (in present-day Bidar district, […]
- [The Heritage Diary : October 2025](https://indiantempless.in/2025/10/06/the-heritage-diary-october-2025/)
- [Dashrath Nandan Ram – The Complete Life and Legacy of Maryada Purushottam](https://indiantempless.in/2025/10/03/dashrath-nandan-ram-the-complete-life-and-legacy-of-maryada-purushottam/): Introduction Dashrath Nandan Ram, the firstborn of King Dashrath from Ayodhya, is respected as a divine incarnation of Lord Vishnu and stands as a timeless symbol of virtue, dharma, and typical human behaviour. His story, beautifully narrated in the Valmiki Ramayana, imparts deep insights into duty, honor, bravery, compassion, and spiritual wisdom. What truly sets Lord Ram apart is how he effortlessly blends human experiences with divine intentions—navigating family duties, making personal sacrifices, facing challenges, and shouldering responsibilities, all while adhering to the highest moral principles. This makes him not just a figure of admiration but also someone we can […]
- [Beyond Lights and Festivities: Understanding the Sacred Days of Diwali](https://indiantempless.in/2025/09/18/beyond-lights-and-festivities-understanding-the-sacred-days-of-diwali/): Diwali, often called the festival of lights, is one of the most vibrant and widely celebrated festivals in India. Marking the triumph of light over darkness and good over evil, it brings together families, communities, and entire regions in a spirit of devotion and festivity. Homes are cleaned and decorated with lamps, rangolis, and flowers, while markets bustle with the sound of shoppers preparing for the days ahead. The air is filled with the fragrance of sweets, the glow of earthen diyas, and the joy of togetherness. But Diwali is not just a single day of celebration; it is a […]
- [Jyotirlinga places - Centers of Spiritual Tourism](https://indiantempless.in/2025/09/15/jyotirlinga-places-centers-of-spiritual-tourism/): Here is our presentation on the topic, delivered at 2nd Global Spiritual Tourism Conclave, that was held at Ujjain on 27th August, 2025.
- [Udupi Shri Krishna Temple – Where the Lord Smiles Through a Window](https://indiantempless.in/2025/09/12/udupi-shri-krishna-temple-where-the-lord-smiles-through-a-window/): On Karnataka’s west coast, the sea breeze carries a sound you can’t quite name—temple bells mingling with the hum of prayer. This is Udupi, home to the beloved Shri Krishna Temple, founded in the 13th century by the saint Sri Madhvacharya. The story goes that the idol once belonged to Rukmini in faraway Dwaraka. It travelled across waves and centuries before finding its place here. Even today, that journey feels alive in the devotion of those who come from near and far. The temple isn’t grand in size, but it has a quiet dignity. Carved wooden beams, a peaceful courtyard, […]
- [The Heritage Diary : September 2025](https://indiantempless.in/2025/09/06/the-heritage-diary-september-2025/)
- [Jyotirlinga Towns have immense potential to be centers for Spiritual tourism centers : Dr Dinesh Soni at Global Spiritual Tourism Conclave](https://indiantempless.in/2025/08/31/jyotirlinga-towns-have-immense-potential-to-be-centers-for-spiritual-tourism-centers-dr-dinesh-soni-at-global-spiritual-tourism-conclave/): “The towns in India, that host the 12 Jyotirlingas, also have immense potential to be recognized as spiritual tourism centers and attract tourists from worldwide” said Dr Dinesh Soni, founder of Indian.Temples Research & Media Services, while speaking at 2nd Global Spiritual Tourism Conclave at Ujjain. The event was inaugurated by Dr Mohan Yadav, Chief Minister of Madhya Pradesh and GajendraSingh Shekhwat, Union minister for Culture and Tourism. While presenting a case study on the topic “Guardians of Sacred Axis : The Jyotirlinga circuit”, he highlighted the difference between religious tourism and spiritual tourism. “There are various significant factors that […]
- [The blue pottery from the pink city](https://indiantempless.in/2025/08/23/the-blue-pottery-from-the-pink-city/): All that glitters is not gold. And all that looks blue is not blue pottery of Jaipur. One needs to have a keen eye to differentiate the real one from the fake. The Blue Pottery art , that was introduced in Jaipur in 14th century, but flourished in mid 19th century, is a traditional craft of Jaipur. The name ‘blue pottery’ comes from the eye-catching cobalt blue dye used to colour the pottery. It is one of many Eurasian types of blue and white pottery, and related in the shapes and decoration to Islamic pottery and, more distantly, Chinese pottery. Jaipur […]
- [Book Review – Indian Philosophies Rediscovered by Rajeev Kurapati](https://indiantempless.in/2025/08/15/book-review-indian-philosophies-rediscovered-by-rajeev-kurapati/): Rajeev Kurapati’s Indian Philosophies Rediscovered is a refreshing and accessible journey into the vast landscape of India’s classical philosophical traditions. Instead of treating them as mystical or esoteric relics, Kurapati approaches the darśanas as rigorous systems of inquiry—on par with, and often predating, many celebrated Western ideas. The book takes readers through the central schools of Indian thought, distilling their core principles while showing how they continue to be relevant in today’s world. One of the book’s biggest strengths is its clarity. Kurapati writes with a simplicity that never feels patronizing, making even the most abstract concepts approachable for a […]
- [The Deula Style of Temple Architecture: Exploring Rekha, Pidha, and Khakhara Forms with a Focus on Bengal’s Towering Legacy](https://indiantempless.in/2025/08/13/the-deula-style-of-temple-architecture-exploring-rekha-pidha-and-khakhara-forms-with-a-focus-on-bengals-towering-legacy/): Introduction The Deula style of temple architecture, which is predominantly found in the ancient region of Kalinga, which is modern-day Odisha, It is a distinctive subset of the Nagara style of Hindu temple architecture. The Deula temples are characterized by their unique tower structures; the Deula style has evolved into three primary forms: Rekha, Pidha, and Khakhara. While Odisha boasts the most iconic examples of this architectural tradition, its influence extended to eastern India, notably shaping the towering legacy of temples in Bengal. This article explores the defining features of these three Deula types and highlights the unique adaptations seen […]
- [Whispers of the Wild: The Enchanting Tapestry of Ranthambore's Maharajas](https://indiantempless.in/2025/08/08/whispers-of-the-wild-the-enchanting-tapestry-of-ranthambores-maharajas/): Ranthambore, nestled amidst the rich cultures of Rajasthan, emerges as a stunning haven where the lush emerald forests meet the echoes of ancient fortresses. In this picturesque landscape, majestic tigers roam freely, and the rich wildlife, steeped in history, defines Ranthambore’s natural magnificence. Ranthambore is one of India’s beating hearts of Rajasthani history and culture, with an astounding legacy worth beyond imagination. Its royal patronage has influenced Ranthambore’s wildlife, conservation, art, architecture and culture for countless centuries. The royalty of Ranthambore has left a legacy that influences modern conservation and wildlife populations. Ranthambore, formerly Ranastambhapura, has a long history of […]
- [The saviour of Mewar - Lord Eklingji](https://indiantempless.in/2025/08/06/the-saviour-of-mewar-lord-eklingji/): Abstract  The temples in India speaks volume about the historical events , culture and beliefs of people, they are not just a sacred space but cultural and social centers as well .The article delves into the rich history and origin of Eklingji who is considered as the integral part of the Mewar kingdom’s Heritage. The study explores the historical background of the temple by examining the literary and archaeological evidences and provides a valuable insight into history and culture making it a essential read for the Indian heritage enthusiast . Introduction Eklingji, the king of Mewar, is revered as the […]
- [The Heritage Diary : August 2025](https://indiantempless.in/2025/08/01/the-heritage-diary-august-2025/)
- [Maratha Military Landscapes : The newest addition to UNESCO World Heritage](https://indiantempless.in/2025/07/29/maratha-military-landscapes-the-newest-addition-to-unesco-world-heritage/): Introduction Among the recent additions to the list of UNESCO World Heritage Sites, one entry from India created wave of joy among the history and heritage lovers, especially in Maharashtra. The entry of “Maratha Military Landscapes of India” was a long standing demand by history lovers. It was listed in UNESCO World Heritage Tentative list in 2021, and in UNESCO World Heritage Sites in 2025. Because of peculiar topography; mix of tall hills, huge plains and coastal regions; Maharashtra has had different kind of forts being built up. The structures and architectural designs of these forts have differed depending upon […]
- [Transcending Symbolism: The Transformation of Buddhist Art from Aniconism to Iconography](https://indiantempless.in/2025/07/24/transcending-symbolism-the-transformation-of-buddhist-art-from-aniconism-to-iconography/): Abstract: India has been a land of constant artistic developments with influences of region, religion etc. Art has been an integral part of India since ancient times to present. Several dynasties have commissioned art forms for their development and continuation. Similarly, the influence of Buddhism on art was quite significant. In the developmental stages, several influences were recognised in the art form such as Gandhara, Mathura and Amravati, which became distinct school of arts. However, Buddha was not always depicted in the form what we see today, the depiction went through several stages of development. The present paper examines the […]
- [From Kevadia to Ekta Nagar : A Karmic Pilgrimage to the Iron Man’s Legacy](https://indiantempless.in/2025/07/19/from-kevadia-to-ekta-nagar-a-karmic-pilgrimage-to-the-iron-mans-legacy/): In the vibrant heart of Gujarat, right by the banks of the majestic Narmada River, stands the Statue of Unity — the tallest statue in the world, soaring to an impressive height of 182 meters. This incredible structure isn’t just an architectural wonder; it represents a national emblem of integrity, discipline, and strength. Unveiled on October 31, 2018, the statue honors Sardar Vallabhbhai Patel, the key figure who united over 560 princely states into the Union of India after independence. Located near the Sardar Sarovar Dam — one of India’s largest and most important dams — the statue gazes southeast, […]
- [Bundelkhand's Kajali fair : A Study of Cultural Perspective](https://indiantempless.in/2025/07/10/bundelkhands-kajali-fair-a-study-of-cultural-perspective/): The Kajali fair is a good opportunity to promote the culture of Mahoba. Mahoba is a small district of Uttar Pradesh lying down in Bundelkhand region which is known as administrative capital of chandela rulers in history (according to Colonel Toad). This fair is the biggest historical and cultural festival for Mahoba residents. In which a huge procession is taken out on the day of Kajali, in which you can easily understand the valor of Alha Udal in the form of a procession. Kirti Sagar, which is built in the beep of the city. It has been a witness to […]
- [Bhado Mela of Sarai Khwaja : A symbol of integrated culture and rural economy](https://indiantempless.in/2025/07/07/bhado-mela-of-sarai-khwaja-a-symbol-of-integrated-culture-and-rural-economy/): India is famous all over the world for its unity in diversity. People of different religions, castes and cultures live together here. Many festivals and fairs reflecting this feeling of mutual brotherhood and unity are an integral part of Indian culture. One of these fairs is the Bhado Mela of Sarai Khwaja, which is located in Jaunpur district of Uttar Pradesh. This fair is held on the sixth day of the month of Bhado at the Surajkund pond. Historically, this region has been very important – it was earlier called Siraj of the East and was ruled by Sharqi rulers. […]
- [The Heritage Diary : July 2025](https://indiantempless.in/2025/07/03/the-heritage-diary-july-2025/)
- [Ratneswar Mahadev Temple, Varanasi : A Historical & Architectural context](https://indiantempless.in/2025/07/01/ratneswar-mahadev-temple-varanasi-a-historical-architectural-context/): When we hear about Kashi or Varanasi, the first thing that comes to our mind is a nagri of Lord Shiva. Because there is Kashi Vishwanath Mandir, which is one among the 12 Jyotirlingas. And here people used a phrase to describe Varanasi: Kashi ke Kankar Kankar Shiva Shankar. The temples of Varanasi denote the rich architectural & cultural history of India. Many scholars have worked on the architecture of Varanasi’s temples. This article also discusses the history of Varanasi’s temple. We all know about the big temples of Varanasi, but we have very little information about the small temples […]
- [Gudimallam Temple: Home to the World's Oldest Shiva Linga](https://indiantempless.in/2025/06/27/gudimallam-temple-home-to-the-worlds-oldest-shiva-linga/): As a culture and heritage influencer, I have atleast 50 places marked as “To be visited”. But none of them had created such curiosity and excitement in me, as the Gudimallam temple. Ever since I had heard about this temple for the first time, and saw the photo of Gudimallam Linga, I was drawn to the mysterious and enigmatic Linga. When we were planning a trip to Srisailam, Pondicherry and Tirupati; I made it a point to include Gudimallam in the plan. Introduction A few km away from famous pilgrimage spot of Tirupati, nested by hills and a small village […]
- [Parshuram Kund : A Kund Beyond Ordinary Water Bodies](https://indiantempless.in/2025/06/17/parshuram-kund-a-kund-beyond-ordinary-water-bodies/): Introduction Located in Arunachal Pradesh’s lower sections of the Lohit River, Parshuram Kund is much more than just a tranquil body of water; it is a revered fusion of spirituality, mythology, architectural symbolism, and natural harmony. In addition to being a place of worship, this Kund is revered as a holy site of penance and transformation. It also serves as a vivid illustration of the relationship between nature, Vastu Shastra, and spiritual awakening, inspiring innumerable followers. Mythological Legacy of Penance & Peace The sixth incarnation of Lord Vishnu, Lord Parashurama, is said to have sought atonement at Parshuram Kund for […]
- [Serpents of the Sacred: The Symbolic Power of Snakes in Indian Iconography](https://indiantempless.in/2025/06/15/serpents-of-the-sacred-the-symbolic-power-of-snakes-in-indian-iconography/): Snakes, the spineless creatures, alias, Nagas in our land, are virtually present almost everywhere—below the ground, under the sea; in the lakes and springs; on the mountains; on the trees, in the burrows; and even in the skies. In India, snakes exist in the subcontinent’s ancient texts, mythologies, folklore, tribal worship, art, and architecture. Found across Hinduism, Buddhism, and Jainism, these serpentine figures are not merely animals but sacred entities tied deeply to mythology, cosmology, and symbolism. From guarding treasures to supporting the cosmos, their imagery speaks volumes about ancient Indian views on nature, the afterlife, and spiritual power. Naga […]
- [Echoes of Jain Heritage in Kerala : The Story of Palakkad’s Ancient Temple](https://indiantempless.in/2025/06/11/echoes-of-jain-heritage-in-kerala-the-story-of-palakkads-ancient-temple/): Shri Chandraprabha Digambara Jain Temple, a millennium-old temple, is located in Jainimedu along the banks of the Kalpathy River, approximately 3 kilometers from Palakkad, Kerala, India. This temple is among the few remaining examples of traditional Jain architecture in Kerala. It is made up of huge granite blocks. As per local lore, the three merchant brothers, Ijjana Shetty, Payappa Shetty, and Chikuppaya Shetty, journeyed to Palakkad, where the youngest, Chikuppaya Shetty, passed away from an illness. The loss profoundly affected his two siblings. Subsequently, they sought the guidance of Elacharya Muni, a Jain Saint, and constructed a temple in accordance […]
- [The Reverence of Mata Ragnya Bhagwati (Ksheer Bhavani) : A Glimpse into the Zyeshta Ashtami Festival and its Cultural Significance](https://indiantempless.in/2025/06/05/the-reverence-of-mata-ragnya-bhagwati-ksheer-bhavani-a-glimpse-into-the-zyeshta-ashtami-festival-and-its-cultural-significance/): The rich tapestry of Kashmiri culture is steeped in religious traditions and customs that have been passed down through generations. Among the most significant religious figures in the valley is Mata Ragnya Bhagwati (Ksheer Bhavani), whose worship transcends religious boundaries and reflects the harmonious coexistence of diverse communities. The festival dedicated to this revered goddess, Zyeshta Ashtami, which falls during the lunar month of May-June, is a momentous occasion for the people of Kashmir, especially for the Kashmiri Pandit community. It is a day marked by devotion, prayer, and the coming together of families and communities, reaffirming the deep spiritual […]
- [The Heritage Diary : June 2025](https://indiantempless.in/2025/06/03/the-heritage-diary-june-2025/)
- [Discover the Panch Kedar Yatra - An Exploration of Vastu and the Five Elements](https://indiantempless.in/2025/05/31/discover-the-panch-kedar-yatra-an-exploration-of-vastu-and-the-five-elements/): The Panch Kedar Circuit is a remarkable spiritual journey that takes you through the majestic Garhwal Himalayas in Uttarakhand. This route features five revered temples dedicated to Shiva: Kedarnath, Tungnath, Rudranath, Madhyamaheshwar, and Kalpeshwar. These ancient sites are more than just historical landmarks; they embody divine grace, cosmic balance, and a deep connection to nature. According to legend, after the fierce battle of Kurukshetra, the Pandavas were weighed down by guilt for the lives they had taken, especially those of their own kin. In search of forgiveness, they turned to Lord Shiva. However, when they made their way to Varanasi […]
- [The Evolution of the Bhakti Movement Across India](https://indiantempless.in/2025/05/28/the-evolution-of-the-bhakti-movement-across-india/): The Bhakti movement was a devotional revolution that swept through India during the medieval period. It emphasized intense personal love for God over ritualistic practices, making spirituality accessible to all believers. Originating in South India around the 6th century CE, this movement gained momentum through poet-saints who sang in local languages, and it later spread across the subcontinent, reaching its peak between the 15th and 17th centuries. In this article, we explore the origins of Bhakti in the South, its philosophical foundations, its regional expansions across India, the saints who inspired it, and its impact on society, literature, temple traditions, […]
- [Nurmahal Sarai: A Historical Legacy in Punjab’s Heart](https://indiantempless.in/2025/05/23/nurmahal-sarai-a-historical-legacy-in-punjabs-heart/): In the bustling town of Nurmahal, 33 kilometers from Jalandhar, lies a monument that encapsulates the grandeur and ingenuity of the Mughal Empire: the Nurmahal Sarai. Built between 1618 and 1620 under the patronage of Empress Nur Jahan, this 17th-century caravan sarai along the historic Lahore-Agra trade route is a testament to the Mughal architectural prowess and cultural synthesis. Our journey to this storied site, informed by scholarly works and historical records, unveiled a rich tapestry of imperial ambition, economic strategy, and artistic brilliance. The Road to Nurmahal The 30-kilometer journey from Jalandhar to Nurmahal along Sarai Road weaves through […]
- [Larger than Life Trishula](https://indiantempless.in/2025/05/11/larger-than-life-trishula/): Sadhguru’s Bangalore ashram has a dedicated shrine for a 54-feet Trishula. It is unique and one of the first such shrines that Sadhguru has set up. It got me thinking about the various giant Trishula’s that we have scattered across India. In Sadhguru’s Coimbatore ashram, there is a giant trishula as part of the Linga Bhairavi Devi temple. That Trishula is tilted towards the left by 11 degrees. As this is the Devi trishula, Sadhguru has said that 11 is significant for Devi. Moreover, the left tilt symbolizes the feminine aspect. Devotees can tie sacred threads onto this Trishula as […]
- [The Heritage Diary : May 2025](https://indiantempless.in/2025/05/01/the-heritage-diary-may-2025/)
- [Time Capsules of India: Quirky, Quiet, and Captivating Museums Across the Country](https://indiantempless.in/2025/04/28/time-capsules-of-india-quirky-quiet-and-captivating-museums-across-the-country/): India, a land of ancient civilizations and vibrant traditions, is home to an extraordinary array of museums that preserve its rich cultural tapestry. And every year, May 18th is celebrated as International Museum Day, a global initiative to raise awareness about the role of museums in cultural exchange, enrichment, and preservation of history. While India is home to grand institutions like the Indian Museum in Kolkata and the National Museum in Delhi, there exists an equally fascinating world of lesser-known, quirky, and regional museums across the country—quiet custodians of our diverse heritage. These hidden gems not only protect unique objects […]
- [Sacred Spaces: The Architectural Harmony of Jagannath Temples Across India](https://indiantempless.in/2025/04/25/scared-spaces-the-architectural-harmony-of-jagannath-temples-across-india/): Each Jagannath temple reflects the culture of its region while keeping the essence of the deity alive. The architecture carries both spiritual and local stories carved in stone. Across India, the presence of Jagannath temples reflects a quiet but powerful story. It is one of faith, tradition, and a timeless bond with the divine. While many of us may instantly think of Puri when they hear the name “Jagannath”, this divine temple isn’t present in just one city. The temple of Lord Jagannath is present throughout the country. This has created spiritual clusters where communities, big and small, come together […]
- [The Enigma of Hanging Pillars - Engineering Marvels of Ancient India at the Veerabhadra Temple](https://indiantempless.in/2025/04/23/the-enigma-of-hanging-pillars-engineering-marvels-of-ancient-india-at-the-veerabhadra-temple/): Introduction The Veerabhadra Temple, nestled on the southern edge of Lepakshi town in the Anantapur district of Andhra Pradesh, is a remarkable historical site perched atop a gentle hillock known as Kurma Saila. This hillock is notable for its expansive granite rock formation, which is said to resemble a tortoise. According to the Skanda Purana, this temple is recognized as “Lepakshya Papanasanah” among the 108 Divya Kshetras, which are revered pilgrimage spots dedicated to Lord Shiva. The temple is specifically devoted to Virabhadra, a fierce incarnation of Lord Shiva. Mythological Foundation Diving into its mythological roots, Virabhadra is thought to […]
- [Chiteri Art: Echoes of Devotion on Rural Walls](https://indiantempless.in/2025/04/22/chiteri-art-echoes-of-devotion-on-rural-walls/): In the culturally rich heartland of Bundelkhand, spanning parts of Uttar Pradesh and Madhya Pradesh, thrives a little-known but deeply evocative folk art form called Chiteri. Rooted in the traditions of rural households, Chiteri is a wall-painting tradition believed to date back to the 16th century. Its name is derived from the Hindi word chitrakar, meaning “painter,” and historically, the art was practiced by women and artisans who were not formally trained but carried an intuitive visual language passed down through generations. Unlike the courtly styles of nearby regions like Bundi or Kishangarh, Chiteri is humble, domestic, and intrinsically devotional […]
- [ The Nritta Murti of the Temple](https://indiantempless.in/2025/04/07/the-nritta-murti-of-the-temple/):  In the Thillai court, he dances, a dance so divine, in a form so splendid……  How can one visualize that splendid form,  in fact , how to give a form to the formless One, the one who is both the absolute and the infinite. This question has caught the interest of many, and he answered their questions through art, an art so splendid as him, so divine as him, and an art which froze the formless One into a form, and showed the Master of Dance in his best self,  as the cosmic dancer. It is no exaggeration when it […]
- [The Heritage Diary : April 2025](https://indiantempless.in/2025/04/06/the-heritage-diary-april-2025/)
- [Hampi: A Timeless Ode of Art And Dance](https://indiantempless.in/2025/04/01/hampi-a-timeless-ode-of-art-and-dance/): As we all know, Hampi is the cultural heart of India. The intricate sculptures and architecture of every single temple leave all of us in awe. If only it hadn’t been burnt to ashes. Just the thought of imagining Hampi in its full glory sends a shiver of delight. History comes alive in every stone of the temple. As a dancer, visiting Hampi was a once-in-a-lifetime experience for me. Each temple had hundreds of sculptures, and contemplating those sculptures was a feast for the eyes. There were numerous kinds of sculptures, including Hindu gods, musicians, dancers, kings, citizens of the […]
- [Birthplaces of Hanuman: Legends Across India](https://indiantempless.in/2025/03/30/birthplaces-of-hanuman-legends-across-india/): Among the many characters of Ramayana, Hanuman is probably one of the most revered and loved characters. Apart from Ram and Sita, Hanuman is one who got embedded in the culture, folklores and rituals. Hanuman is considered to be the embodiment of power and humility, who teaches us many important lessons about communication and management as well. We see Hanuman temples in every village and town of the country. Hanuman Chalisa is one of the most recited religious text in Hinduism. Stories of Hanuman are shared from generation to generation, and have been recited through Kirtans and Bhajans. Multiple movies […]
- [The Holy Haven of Strength, Devotion, and Vastu Harmony— Sarangpur Hanuman Temple, Bhavnagar, Gujarat](https://indiantempless.in/2025/03/22/the-holy-haven-of-strength-devotion-and-vastu-harmony-sarangpur-hanuman-temple-bhavnagar-gujarat/): Introduction Sarangpur, a village in Gujarat’s Bhavnagar district, is home to the renowned Shri Hanuman Mandir. This temple is one of the most famous dedicated to Lord Hanuman in his form as Kashtabhanjan. Historical Development One of the most significant events in the history of the Shri Hanuman Mandir in Sarangpur was the installation of the Hanuman idol by Gopalanand Swami, a prominent follower of Swaminarayan. According to legend, when Gopalanand Swami touched the idol with a rod, it is said to have moved, signifying that his touch gave the idol life. This miraculous event has since formed the basis […]
- [New addition to India's UNESCO World Heritage Tentative List](https://indiantempless.in/2025/03/21/new-addition-to-indias-unesco-world-heritage-tentative-list/): On March 7, Six new properties, including 5 archaeologically important places, have been added to India’s tentative list by UNESCO’s World Heritage Centre. This is a step towards their future nomination for the World Heritage List. India’s tentative list now comprises 62 sites, with 43 properties already listed as World Heritage Sites. What is UNESCO World Heritage Site? World Heritage Sites are landmarks and areas administered by UNESCO for having cultural, historical, or scientific significance. These sites have legal protection under an international treaty. The sites are judged to contain “cultural and natural heritage around the world considered to be […]
- [Pancha Maha Bhutas : Temples and Vastu Shastra](https://indiantempless.in/2025/03/19/pancha-maha-bhutas-temples-and-vastu-shastra/): The five elements of nature – Pancha Maha Bhutas are not just the fundamental components of material world; they are the very essence of existence itself, intricately intertwined into the fabric of Human Life. These elements – Space (Akash), Air (Vayu), Fire (Agni), Water (Jal) and Earth (Prithvi), represents the foundational forces that governs both the universe and the human body. The creation of these elements is said to have emerged from the Space, the first and most subtle of the elements. According to Vedic Puranas, Space was the elemental force that existed before anything else. It was formless, infinite […]
- [The secret behind Jyotirlinga names](https://indiantempless.in/2025/03/18/the-secret-behind-jyotirlinga-names/): View this post on Instagram A post shared by Dr Dinesh Soni (@indian.temples) In Shaivism in India, the term Jyotirlinga holds a very specific religious value. The Word Jyotirlinga is a Sanskrit compound of jyotis (‘radiance’) and linga (‘symbol’). Thus, a Jyotirlinga is Shiva’s symbol that contains Shiva’s radiance; or the presence of Shiva in form of a Jyoti. The Dwadasha Jyotirlinga Smaranam is a devotional hymn to Lord Shiva composed by Jagathguru Adi Sankara. The hymn is mentioned in the Shiva Purana, at the end of the Shata Rudra Samhita. This hymn talks about the 12 Jyotirlinga. The hymn […]
- [The Heritage Diary : March 2025](https://indiantempless.in/2025/03/08/the-heritage-diary-march-2025/)
- [Mahakumbh : Story, History and Mystery](https://indiantempless.in/2025/03/01/mahakumbh-story-history-and-mystery/): As per the data made public by Maha Kumbh organisers, over 65 crore people took sacred bath in the holy confluence of Ganga, Yamuna and Saraswati river. That is more thanclose to the entire population of United Kingdom or South Africa, and almost double the population of Canada. To put it in perspective, the number is close to half of India’s population. The Kumbha Mela is not just the union of devotees and pilgrims, it is also the union of cultures and traditions. The story behind Kumbh Samudra Manthana Sculpture, Virupaksha Temple, Pattadakkal, Karnataka The story associated with Kumbh is […]
- [The Jyotirlingas : An introduction to the legends and history of the 12 sacred Shaivite Temples](https://indiantempless.in/2025/02/12/the-jyotirlingas-an-introduction-to-the-legends-and-history-of-the-12-sacred-shaivite-temples/): Introduction In Shaivism in India, the term Jyotirlinga holds a very specific religious value. The Word Jyotirlinga is a Sanskrit compound of jyotis (‘radiance’) and linga (‘symbol’). Thus, a Jyotirlinga is Shiva’s symbol that contains Shiva’s radiance; or the presence of Shiva in form of a Jyoti. The Dwadasha Jyotirlinga Smaranam is a devotional hymn to Lord Shiva composed by Jagathguru Adi Sankara. The hymn is mentioned in the Shiva Purana, at the end of the Shata Rudra Samhita. This hymn talks about the 12 Jyotirlinga. The hymn goes like सौराष्ट्रे सोमनाथं च श्रीशैले मल्लिकार्जुनम् ।उज्जयिन्यां महाकाळम् ओङ्कारममलेश्वरम् ॥परल्यां वैद्यनाथं […]
- [Thanumalayan Temple - Guardian of Ancient Mysteries and Sacred Harmony](https://indiantempless.in/2025/02/09/thanumalayan-temple-guardian-of-ancient-mysteries-and-sacred-harmony/): Introduction – The Thanumalayan Temple, also known as Sthanumalayan Temple or Suchindram Temple, is situated in the town of Suchindram in Tamil Nadu’s Kanyakumari district. This sacred site is adored by both Shaivaite and Vaishnavite sects of Hinduism, embodying the spiritual unity of diverse traditions. Divine Origins – According to Hindu legend, Indra, the king of the Devas, was freed from a curse at the site where the main Linga of the Thanumalayan Temple now stands. The name “Suchi” in Suchindram is said to derive from the Sanskrit word for “purify,” signifying the purification Indra underwent. It is believed that […]
- [Madavoorpara Rock-Cut Temple: Thiruvananthapuram’s Ancient Gem Carved in Stone](https://indiantempless.in/2025/02/07/madavoorpara-rock-cut-temple-thiruvananthapurams-ancient-gem-carved-in-stone/): The Madvoorpara Rock Temple is a historic site located approximately 11 kilometers from Thiruvananthapuram city, within the Kattayikonam division of the Thiruvananthapuram Corporation. This ancient temple, dating back to the 9th century, is situated midway up a massive rock formation. Dedicated to Lord Shiva, the temple is believed to have originally served as a Buddhist shrine before its conversion to a Hindu place of worship. This cave temple, maintained and protected by the Kerala Department of Archaeology and the Sri Ramadasa Ashram Mission, is a two-story structure carved from limestone rock. The outer surface is shallowly carved, allowing devotees to […]
- [The Heritage Diary : Feb 2025](https://indiantempless.in/2025/02/05/the-heritage-diary-feb-2025/)
- [Stupas, Mahabodhi Temple and the Power of the Eightfold Path: A Vastu Perspective](https://indiantempless.in/2025/01/12/stupas-mahabodhi-temple-and-the-power-of-the-eightfold-path-a-vastu-perspective/): Lord Buddha, born as Siddhartha Gautama around 563 BCE in Lumbini, was a spiritual teacher whose profound insights transformed humanity’s understanding of suffering and liberation. Born a prince, he lived a life of luxury until the age of 29, when he encountered the Four Sights—an old man, a sick person, a corpse, and an ascetic. These encounters awakened him to the realities of suffering (dukkha) and the impermanence of life. Determined to find a solution, he renounced his privileged life and embarked on a spiritual quest. After years of rigorous asceticism and meditation, Siddhartha attained enlightenment under the Bodhi tree […]
- [Thirunelli Temple : An Archaeological And Ritualistic Study Of A South Indian Pilgrimage Site](https://indiantempless.in/2025/01/11/thirunelli-temple-an-archaeological-and-ritualistic-study-of-a-south-indian-pilgrimage-site/): Thirunelli Temple, dedicated to Lord Vishnu, is located on the Brahmagiri Hill in Kerala, India, and is renowned for its unique provision of life-cycle rituals, from birth to post-mortem rites. Known as “Sahyamala Kshetram” and the “Kashi of the South,” this ancient pilgrimage center holds significant historical, architectural, and spiritual value. This article explores the historical significance, architectural design, and religious practices associated with Thirunelli Temple, examining its role in South Indian ritualistic traditions and its enduring place in local and regional cultural identity. Introduction Thirunelli Temple, situated in the scenic Brahmagiri Hills of Wayanad district, Kerala, serves as a […]
- [The Kottiyoor Temple : An Ethnographic And Historical Analysis Of A Sacred Site In Kerala](https://indiantempless.in/2025/01/09/the-kottiyoor-temple-an-ethnographic-and-historical-analysis-of-a-sacred-site-in-kerala/): Abstract The Kottiyoor Temple, located in Kannur district, Kerala, holds a significant place in the religious and cultural landscape of the region. Known as Vadakkeshwaram or Ikkare Kottiyoor, the temple stands on the western bank of the Vavali River, while a temporary hermitage, Kizhakkeshwaram or Akkare Kottiyoor, sits on the eastern bank, used exclusively for the annual Kottiyoor Vysakha Mahotsavam. The temple complex, overseen by the Malabar Devaswom Board, lies within an 80-acre sacred grove, now designated as a wildlife sanctuary by the Kerala government. This paper provides an in-depth historical, cultural, and religious analysis of the Kottiyoor Temple, its […]
- [Rock-Cut Resonance : Architectural & Vastu Marvels of Masrur Temple](https://indiantempless.in/2025/01/06/rock-cut-resonance-architectural-vastu-marvels-of-masrur-temple/): The Masrur (or Masroor) Rock Cut Temple often referred to as the “Ellora of Himachal,” is an architectural marvel situated in the Kangra Valley of Himachal Pradesh. Carved out of a single monolithic stone, this temple stands at a height of 2,535 feet above sea level. It is one of the rare rock-cut temples in Northern India, crafted in the Nagara Style of Architecture, and holds significant spiritual and cultural value. The temple’s orientation, unique layout, and the sacred pond all reflect the deep connection between Architecture, Vastu Shastra, and Hindu cosmology. The temple is protected and maintained by the […]
- [The Heritage Diary : January 2025](https://indiantempless.in/2025/01/02/the-heritage-diary-january-2025/)
- [Chinganchira Temple: Idol Under The Tree](https://indiantempless.in/2024/12/27/chinganchira-temple-idol-under-the-tree/): Chinganchira, a nature temple is situated in Kollengode in Palakkad district in Kerala. The idols are enshrined beneath the banyan tree. The whole temple area has roots both in the ground and hangs exposed to the air. The trees spread paved the way to arising new trees. Since the trees are encircled, there is no particular architecture. The shrines of Shiva and Parvati, in their hunter form (Kattalan) as Karuppuswami and Velamma are the worshipped idols. The Nelliyampathy hills, water embankment (chira), and mango orchard surrounds the temple. It is believed that the Karuppuswamy is descended from the hills thereby […]
- [Brihadeeswarar Temple : An Architectural Marvel of the Chola Dynasty](https://indiantempless.in/2024/12/13/brihadeeswarar-temple-an-architectural-marvel-of-the-chola-dynasty/): Introduction The Brihadeeswarar Temple, also known as Periya Kovil, is dedicated to Lord Shiva and stands in Thanjavur, Tamil Nadu. As one of the largest Hindu temples in the world, it epitomizes Tamil architecture and the architectural brilliance of the Chola dynasty. Its monumental size, intricate design, and innovations have made it a UNESCO World Heritage Site, reflecting India’s rich cultural heritage. Historical and Cultural Evolution Built by Rajaraja I between 1003 and 1010 CE, the Brihadeeswarar Temple showcases the mature Dravidian style, representing centuries of architectural evolution in South India. Over its millennium-long history, it has undergone various modifications […]
- [The Heritage Diary : December 2024](https://indiantempless.in/2024/12/07/the-heritage-diary-december-2024/)
- [Naga Worship Culture of Karnataka](https://indiantempless.in/2024/11/13/naga-worship-culture-of-karnataka/): Last month, on 17th October, Sadhguru Jaggi Vasudev’s ashram (formally called the Sadhguru Sannidhi) near Bangalore saw the 2nd consecration anniversary of Naga, its kshetrapal deity. It was the Sharad Pournima day, with a special Benne Seva where devotees can register to apply specially-prepared butter to the Naga idol. It is an intriguing temple especially the uncommon but impressive structure of the central Naga idol. A larger-than-life Naga is carved out on a cubical stone. On the adjacent two sides of the stone, are two yantras with 112 serpents each. This is where a sacred process called Sarpa Seva is […]
- [Ananthapura Lake Temple : A Unique Testament To Kerala’s Vaishnavite Tradition](https://indiantempless.in/2024/11/04/ananthapura-lake-temple-a-unique-testament-to-keralas-vaishnavite-tradition/): The Ananthapadmanabhaswamy Temple, also known as the Ananthapura Lake Temple, is an exceptional example of Vaishnavite tradition and Kerala’s architectural heritage. Situated in the village of Ananthapura, approximately 6 km from Kumbla in Manjeshwaram Taluk, Kasaragod District, this 9th-century temple holds profound cultural, religious, and historical significance. This article explores the temple’s structural uniqueness, legends, and iconography, positioning it within the broader context of Kerala’s sacred geography. Introduction Ananthapura Lake Temple is singular in its designation as the only Hindu Lake temple in Kerala. The temple, surrounded by a 2-acre freshwater lake, is traditionally considered the ‘Moolasthanam” or the original […]
- [The Heritage Diary : November 2024](https://indiantempless.in/2024/11/01/the-heritage-diary-november-2024/)
- [Baras festival: Connecting with our Roots, Nature and Sustainability](https://indiantempless.in/2024/10/05/baras-festival-connecting-with-our-roots-nature-and-sustainability/): Naveli is a simple yet culturally rich village in the Bicholim taluka of Goa, where every festival and tradition symbolizes a deep connection with nature. The most beautiful example of this bond is the ‘Baras’ festival which is celebrated on the Vaman Jayanti.  It is not just a religious event but a celebration that unites the villagers and worships nature. The festival is a symbol of the interaction between human life and the natural world. There is an old, prevalent folklore behind this festival. According to the village elders, many years ago, the river near the village which is tributary […]
- [The Heritage Diary : October 2024](https://indiantempless.in/2024/09/29/the-heritage-diary-october-2024/)
- [Ajanta and Ellora in 1920s : A journey through postcards](https://indiantempless.in/2024/09/20/ajanta-and-ellora-in-1920s-a-journey-through-postcards/): Introduction The Ajanta and Ellora Caves, located in the state of Maharashtra, India, are among the most magnificent examples of ancient rock-cut architecture in the world. These UNESCO World Heritage Sites attract scholars, historians, and tourists alike, offering a profound insight into the artistic, cultural, and spiritual life of ancient India. The Ajanta Caves, dating back to the 2nd century BCE to about 480 CE, comprise 30 rock-cut Buddhist cave monuments. Nestled in a horseshoe-shaped bend of the Waghora River, the Ajanta Caves are renowned for their intricate carvings, exquisite murals, and elaborate sculptures. These caves were used as monastic […]
- [Mattur : The Sanskrit Village in Karnataka](https://indiantempless.in/2024/09/07/mattur-the-sanskrit-village-in-karnataka/): Sanskrit, often referred to as the “language of the gods,” occupies a distinguished position in the annals of human civilization. As the ancient language of Hindu scriptures, including the Vedas, epics, and Puranas, Sanskrit has played a pivotal role in shaping the linguistic and cultural landscape of India and Southeast Asia. Its influence transcends literature, offering profound insights into ancient languages, mathematics, sciences, yoga, and medicine. An exemplary place where Sanskrit thrives as a living language is Mattur, famously known as “The Sanskrit Village” in India. Mattur: The Sanskrit Village Mattur, a village situated on the banks of the Tunga […]
- [ICONOGRAPHY : An Introduction](https://indiantempless.in/2024/09/05/iconography-an-introduction/): Icons are religious representations of spiritual ideals or symbols of highly esteemed individuals or objects. That someone might be someone admired for their life, such as Nelson Mandela. Water is sacred because it sustains life, and pipal trees are valuable because they produce oxygen. However, anthropomorphic symbols—such as paintings of Jesus Christ or statues of Hindu deities—are typically used to interpret it. The study of icons, their creation, their meaning, and other related topics becomes known as iconography. Development varies depending on the locale. Tamil Nadu’s Nataraja, or Nateshwara, is Bengal. Iconography serves as a representation of religious belief as […]
- [The Heritage Diary : September 2024](https://indiantempless.in/2024/09/02/the-heritage-diary-september-2024/)
- [A Tapestry of Stone and Symbol : Unveiling the Ornamental Language of Indian Monuments](https://indiantempless.in/2024/08/27/a-tapestry-of-stone-and-symbol-unveiling-the-ornamental-language-of-indian-monuments/): Indian monuments stand as testaments to a rich history, diverse cultures, and unparalleled artistic expression. These architectural marvels transcend their physical form, becoming canvases upon which stories are told, beliefs are communicated, and artistic brilliance is showcased. This detailed exploration delves into the fascinating world of ornament in Indian monuments, analysing the styles, materials, and their deeper contextual meaning within the architectural framework. Spanning various eras and dynasties, these structures showcase a wide array of architectural styles and building materials. This article delves into the materials used in constructing some of India’s most iconic monuments, exploring how these materials influenced […]
- [Balrama : The unsung hero of Hinduism](https://indiantempless.in/2024/08/25/balrama-the-unsung-hero-of-hinduism/): Balarama, the elder brother of Krishna, does not find a lot of significance in worship today. However, he existed as a very significant figure in Bhagavata Purana. The elder brother of Krishna, he is described as the highest form of divinity that expanded into Vishnu. He is particularly significant in the Jagannath tradition, as one of the triad deities. In some traditions, he is also refered as one of the Dashavtaras of Vishnu. He is also known as Haladhara, Halayudha, Baladeva, Balabhadra, and Sankarshana. The first two epithets associate him with hala (langala, “plough”) from his strong associations with farming […]
- [Warli Painting: Tradition, Transition, and the Essence of Nature](https://indiantempless.in/2024/08/25/warli-painting-tradition-transition-and-the-essence-of-nature/): Paintings are often seen as articles of entertainment and decoration. However, they have deeper meanings associated with them in cultural and ritualistic aspects. Beyond their alluring appearance, paintings often play significant roles in various ritual and cultural practices, symbolizing spiritual connections and expressing collective identity as a community. One such artistic tradition is the Warli painting done by the Warli tribe. Warli paintings provide a different dimension to the tribal art of India. These paintings are ascetic and simple in nature. These paintings are quite different from other tribal art forms in the way that they do not involve the […]
- [The Inclusion of new waves in Indian Art : the Art of 19th century](https://indiantempless.in/2024/08/25/the-inclusion-of-new-waves-in-indian-art-the-art-of-19th-century/): The tradition of Painting in Indian roots has been traced from the fresco Paintings of Ajanta, which presents a keen analysis of how art became a medium of communication and social awareness. In Indian tradition, one can encounter the emergence of distinctive artistic techniques, forms and styles with the changing era, patronage, geography and political power, the changing course of time has brought distinguish art forms that have marked painterly excellence such as Miniature painting, Pahari painting covering a wide range of secular and religious themes, these paintings consist of content, their visual narrative has a story to unfold. With […]
- [Rajasthani Puppetry as an Art](https://indiantempless.in/2024/08/21/rajasthani-puppetry-as-an-art/): Puppetry has a significant cultural presence in India, particularly in the state of Rajasthan, where it is widely recognized as “kathputli.” The intricate handicraft involves bringing inanimate figures to life using strings and rods, skillfully manipulated by puppeteers to narrate compelling stories. While facing challenges from contemporary puppetry and technological advancements, Rajasthan’s kathputli puppetry has been conferred with a Geographical Indicator (GI) status by the World Intellectual Property Organization (WIPO). What is Puppetry? A puppet is an inanimate object brought to life by a manipulator using strings and rods, performed in front of an audience. The word “puppet” is derived […]
- [Nataraja: Interpretations and Modern Day Application](https://indiantempless.in/2024/08/12/nataraja-interpretations-and-modern-day-application/): Shiva, the major deity of the Tridev in the Hindu religion which is considered to have been manifested in many forms over the centuries, is mainly associated with the destruction or end of the cycle of the universe. A major manifestation of the deity is considered to be of Nataraja that is the Lord of Dance, who performs the Tandava, which is considered to be the fiercest dance. As per Hindu mythology, the Rudra tandava was performed by lord Shiva while holding the burnt body of her deceased wife, Sati, as a mark of his grief and anger. The first […]
- [Krishna, Bhakti movement and regional worship](https://indiantempless.in/2024/08/11/krishna-and-bhakti-tradition-in-parts-of-india/): Introduction Krishna, the eighth incarnation of Vishnu, is one of the most revered deities in Hinduism. Krishna is widely known to be god of love, compassion, tenderness and protection. The anecdotes and narratives of Krishna’s life are generally titled as Krishna Lila. He is a central figure in the Mahabharata, the Bhagavata Purana, the Brahma Vaivarta Purana, and the Bhagavad Gita, and is mentioned in many Hindu philosophical, theological, and mythological texts. Krishna is represented in multiple roles. Yashoda’s son who steals butter, the notorious kid who teases the Gopis, the warrior who kills Kansa and many other evil beings, the philosopher who guides Arjuna, the savior who stand by […]
- [The Heritage Diary : August 2024](https://indiantempless.in/2024/08/01/the-heritage-diary-august-2024/)
- [Roots of Faith: The Symbolism of Trees in Hinduism](https://indiantempless.in/2024/07/27/roots-of-faith-the-symbolism-of-trees-in-hinduism/): Introduction Once upon a time, inside the Hiranyagarbha, Brahma awakened from deep sleep. He looked around and he saw nothing. He felt lonely. And he decided to create life forms around him. He created many mind-born children including Angiras, Atri, Bhrigu, Chitragupta, Daksha, Himavan, Jambavan, Kama, Kratu, Kumaras, Marichi, Narada, Pulaha, Pulastya, Shatarupa, Sindura, Svayambhuva Manu, Vashishtha. Svayambhuva Manu or Manu then went on to create the human beings on the earth. Thus, we came to be known as “Manushya” or “Manav”. Among other children, Marichi fathered the vedic sage Kashyapa. Kashyapa married 13 women and gave birth to 13 […]
- [Spiritual Secrets from Hinduism : A Book Review](https://indiantempless.in/2024/07/25/spiritual-secrets-from-hinduism-a-book-review/): In recent times, we are seeing a lot of misconceptions being spread about Hinduism. Politicians are bringing posters of Shiva in Parliament. And they are saying different kind of analogies about the deity. Some politicians are talking of eradication of Sanatan Dharma. Some agenda driven intellectuals are also misquoting the concepts of Hinduism for personal gains. At a time, when the politicians and intellectuals are trying to defame Hinduism through the misinformation; it is necessary that we learn about the concepts of Hinduism and their actual significance. The book “Spiritual Secrets from Hinduism”, written by Swami Mukundananda does exactly this. […]
- [Akunuru's Forgotten Past: Delving into Its Lost Legacy, History, and Temples](https://indiantempless.in/2024/07/13/akunoors-forgotten-past-delving-into-its-lost-history-legacy-and-temples/): Introduction Akunuru, where “Aku” in Telugu means leaf and “Nuru” implies one hundred. It translates to “One hundred leaves”. According to the locals, it was also known as “Shatapatrapuram”, which also translates to the earlier mentioned meaning. This village is in the Cheriyal mandal of Siddipet district, Telangana. Akunuru is 8 km away from Cheriyal, 33 km from Siddipet, 40 km from Jangaon. Visiting this small village and going through the inscriptional references and excavation news gave me a fascinating perspective about the rich historical background of this place. There seems to be scarce public transportation to this place from […]
- [Walking the Sacred Path: The Tradition of Pilgrimage on Foot](https://indiantempless.in/2024/07/11/walking-the-sacred-path-the-tradition-of-pilgrimage-on-foot/): As Shravan month starts; and the earth becomes covered by the carpet of green grass; we see thousands of Shiva devotees carrying water pots on their shoulder. The water pots are tied to two ends of a stick, and the pilgrims carry this stick on their shoulder. These Pilgrims; called as Kanwariya; are carrying holy water from rivers, to be bestowed upon Shiva. At most places, the water is fetched from Ganga. But in places farther from Ganga, devotees fetch water from other nearby rivers. The devotees relate this Kanwar Yatra to the churning of the ocean in Satyuga. When […]
- [Nageshwar Temple of Khireshwar : An unusual temple in the Deccan](https://indiantempless.in/2024/07/07/nageshwar-temple-of-khireshwar-an-unusual-temple-in-the-deccan/): Nestled inside the western ghats , at the foot of the great fort of Harishchandragad , on the banks of the Kalu river is the temple dedicated to Shiva known as Nageshwar in the village of Khireshwar. The relatively unknown temple is visited only by villagers or the enthusiastic trekkers going to harishchandragad. What makes the temple so interesting? This temple is a very unusual one for the Deccan region. It is due to its style which can be classified as Karnata Dravida or inspired from the architectural style of the Kadambas. History Adding to the existing mystery of such […]
- [The Heritage Diary : July 2024](https://indiantempless.in/2024/07/04/the-heritage-diary-july-2024/)
- [Malanada temple in kerala : The temple dedicating for kaurva king Duryodhana](https://indiantempless.in/2024/07/01/malanada-temple-in-kerala-the-temple-dedicating-for-kaurva-king-duryodhana/): Poruvazhi Peruviruthi Malanada Temple in Kollam district is dedicated to Duryodhana. The temple has no sanctum sanctorum or enclosure and all the believers irrespective of caste and religion are free to worship by considering the altar (mandapam) as an idol of worship. Duryodhana, the Kaurava chief in the Mahabharata, is the main idol. Duryodhana, in the concept of “Appooppan” (Grandfather), resides on a hilltop that is beautiful with natural beauty in the middle of vast paddy fields to the west and south and agricultural lands to the east and north. People of different castes and religions come from many parts […]
- [KASHIRAJ KALI TEMPLE : A GEM FROM BANARAS](https://indiantempless.in/2024/06/24/kashiraj-kali-temple-a-gem-from-banaras/): A temple is a history, A temple lost is a history lost; A temple kept is a history kept but atemple preserved is a history preserved and architecture is a visual art, and the buildings speak for themselves. The following study focuses on Kashiraj Kali Temple built by Kashiraj and its significance among local people through their rituals and traditions. The aim of this study is to promote the idea for working towards preservation of these temples so that it can sustain over the years. BANARAS: AN INTRODUCTION ‘By seeing Banaras, one can see as much of life as the […]
- [Guardian of the Jungle: Mangladevi Temple's Timeless Presence in Periyar National Park](https://indiantempless.in/2024/06/20/guardian-of-the-jungle-mangladevi-temples-timeless-presence-in-periyar-national-park/): A Unique Centre of Devotion A Temple which provides entrance to devotees only on a single auspicious day in an year, which anticipates a large chunk of population including devotees, tourists and historians. It is none other than Mangaladevi Temple near Kumali, Idukki district. Being one of the ancient temples in kerala, Its history traces backs to folklores and stories. It is situated 15 kilometres near Periyar Tiger Reserve. The Temple Deity is Kannaki, Heroine of the Epic Cilappatikaram. Devotees are allowed to enter the temple only on the day of Chitra Pournami. Since temple is situated in the Kerala- […]
- [The Heritage Diary : June 2024](https://indiantempless.in/2024/06/06/the-heritage-diary-june-2024/)
- [Unveiling the Vedic Gods: The Divine Beings of Ancient Indian Scriptures](https://indiantempless.in/2024/05/19/unveiling-the-vedic-gods-the-divine-beings-of-ancient-indian-scriptures/): Temples and deities are an integral part of our society today. We see temples dedicated to deities like Vishnu (in forms like Krishna, Rama, Narismha etc), Shiva, Lakshmi, Shakti (in different forms), Hanuman etc. All these deities are from the Puranic references. We see mentions of these Gods and their stories in various Purans and epics like Ramayana and Mahabharata. But prior to that, we can see other rituals and other deities being revered. The era of 1500 BCE to 500 BCE is commonly referred to as the Vedic period. The ritual of Yagnya was particularly popular in the times, […]
- [A Journey Through Maharashtra's Ancient Caves](https://indiantempless.in/2024/05/02/a-journey-through-maharashtras-ancient-caves/): If we see the evolution of temple architecture over the time, our research would go back to almost 24 centuries. The time when Mauryas were ruling in the north and Cholas and Pandyas were ruling the southern India. Before this era, the worship would mostly happen through the rituals of Yagnya and sacrifice. These kind of rituals did not require a permanent structure, and would often take place in temporary huts or shelters built up with an open area for the firepit. The ritual of Yagya continues to this date, and is especially an integral part of the auspicious ceremonies […]
- [The Heritage Diary : May 2024](https://indiantempless.in/2024/04/29/the-heritage-diary-may-2024/)
- ['Shitala  How India enabled Vaccination' by Mitra Desai - Book review](https://indiantempless.in/2024/04/28/shitala-how-india-enabled-vaccination-by-mitra-desai-book-review/): ‘Shitala’, the book title, refers to Shitala Devi, a youthful goddess, depicted with a fan, broom and pot, riding a donkey (Vahana of Shitala Devi). ‘Shitala’ is a masterpiece on vaccination practices that prevailed in ancient India, penned by Ms Mitra Desi. This 97-page narrative historical non-fiction book is presented beautifully in simple language, backed by extensive research from various sources. Detailed references to the information, are provided at the end of the book. The authoress presented the information in a storytelling format which is similar to the style used in our ancient Puranas. There is a powerful underlying message in the story that has […]
- [Temple Tales: The Art of Miniature Masterpieces](https://indiantempless.in/2024/04/25/temple-tales-the-art-of-miniature-masterpieces/): Building a temple is a very complex task for sure. Right from choosing design, procuring material and overlooking the construction; every step requires a lot of planning and careful watching. But that doesn’t stop us from building more and more temples. Does it? As per Hinduism, a temple is where devotion is. It does not have to be a grand structure to house the deity. If you just fold your hands with devotion, a temple will be created within your mind and heart. And following this principle, many artists explore various art form and express their devotion in the process. […]
- [Hanuman : The embodiment of Power and Humility](https://indiantempless.in/2024/04/23/hanuman-the-embodiment-of-power-and-humility/): Hanumana, the all powerful Hindu deity, is one of the most revered characters in Ramayana. Even though Ramayana is a story of Ram and Sita, the side character of Hanuman gets equal praise, love and respect in the story. Such is the magic of this deity. The son of wind god Vayu and Anjani is said to be one of the most powerful being to have ever lived on earth. Devotional practices centered around Hanuman were not prominent in these texts or in early archaeological evidence. His theological significance and the cultivation of a devoted following emerged roughly a millennium […]
- [Exploring Ter : Satvahana era trade center and archaeologically important town](https://indiantempless.in/2024/04/17/exploring-ter-satvahana-era-trade-center-and-archaeologically-important-town/): Introduction  Periplus of the Erythraean Sea , the mid 1st century book describes navigation and trading opportunities from Roman Egyptian ports like Berenice Troglodytica along the coast of the Red Sea and others along the Horn of Africa, the Persian Gulf, Arabian Sea and the Indian Ocean, including the modern-day Sindh region of Pakistan and southwestern regions of India. The book throws light on multiple important trade and transit centers of the era. The trade centers include Cayliena (Kalyan), Ozene (Ujjain), Paethan (Paithan), Argaru (Uraiyur), Suppala (Sopara), Poduca (Puducchchery) etc. Along with all these, Tagar was also one of the most important trad center of the era. The place is known as Ter in today’s times. The place is […]
- [The Temples of the “Tandava”   ](https://indiantempless.in/2024/04/13/the-temples-of-the-tandava/): When he danced, the entire universe danced. He is the cosmic dancer; he is the Lord of dance, Nataraja.  Dance is one of the Pancha Kriyas done by Shiva in form of Nataraja. Kriya is action, and dance is one of the actions done to balance the rhythm and flow of the Universe by the lord.  It is through dance that he controls the elements of life, space, time and energy thus leading to sustainability of the universe.   The Temple is a place wherein these Kriyas are sustained and when one enters the precincts of the temple, these Kriyas manifest […]

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- [Events](https://indiantempless.in/about/tours-and-events/): Lecture on Rama, Ramayana and Vijaynagara Empire by Dr Hima Bindu Kanoj On the occasion of the coronation of the newly built Ram temple at Ayodhya; Indian.Temples Research & Media Services, in collaboration with MUVVA Nritya Raaga Nigamam, is organising a special lecture on the topic of “Rama, Ramayana and Vijaynagara Empire”. Ramayana, over the years, have left a very deep and lasting impact on our civilization. Many kings and kingdoms have had an influence of the The lecture will talk about how Ramayana has changed the course of our civilization and influenced the art, administration and literature of the […]
- [Awards Received](https://indiantempless.in/about/awards-received/): Indian.Temples Research & Media Services ; and our team members have received multiple awards for our work in the field of heritage and cultural study. Here, we are sharing select few of them. Lokmat Digital Influencer Award 2022 Glaze Iconic Award and inclusion in “40 under 40 Rising and Emerging Industry Experts of India” list Doctorate in Cultural Studies Indian Excellence Award 2022 Paul Harris Fellow recognition of Rotary International
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- [About Us](https://indiantempless.in/about/about-us/): Indian.Temples Research and Media Services is dedicated to bias free research and propoganda free information sharing. Our Instagram page Indian.Temples is one of the most influential and interactive heritage pages on Instagram. The page is full of interesting posts and reels related to temples, archaeology and mythology. Apart from Instagram, we also have a strong presence on Youtube and Podcasting platforms including Spotify, Amazon Music, Google Podcast and Apple Podcast. We also publish a monthly newsletter with the name “The Heritage Diary”.
- [About](https://indiantempless.in/about/): Indian.Temples – Research & Media Services “Where Heritage Finds a Modern Voice” We are not just explorers of ancient stones — we are seekers of the stories that live within them. Indian.Temples is a humble yet passionate initiative dedicated to decoding the art, architecture, rituals, and forgotten narratives of Indian heritage. We believe that every temple, every carving, every legend is a living archive — waiting to be retold with context, care, and curiosity. What We Do We document — but we also interpret.We research — but we also reimagine.We write for readers — but we create for seekers. Our […]


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